As a student at the Technische Hogeschool in Delft, the young Paerels abandoned his studies and his native land for a precarious existence as a painter in Brussels. He taught himself to paint and quickly came under the influence of Flemish Luminism.
In 1898 he was one of the co-founders of the Brussels association for young, independent painters, Â«Le LabeurÂ». In 1906 Octave Maus, who ran the most important annual Belgian Salon for contemporary art, Â«La Libre EsthÃ©tiqueÂ», invited the Labeur members Paerels and ThÃ©venet to join his salon. Maus had vaunting international ambitions and attracted a number of French Fauvists such as Matisse, De Vlaminck and Derain. Paerels came permanently under the influence of Fauvism and together with Wouters and Schirren formed a group who originally called themselves Â«De Brusselse ColoristenÂ» and later went on to change their name to the Â«Brabant FauvistsÂ» because of their use of pure colours. The famous Galerie George Giroux in Brussels, founded in 1912, was to exhibit the work of the Â«Brabant FauvistsÂ» from the very beginning, as a result of which the fame of both the group and the gallery became inextricably linked.
During the First World War Paerels lived in The Netherlands, where he was to create a number of distinctive works using the beach at Scheveningen as his subject. On his return to Belgium after the war, PaerelsÂ’ work became progressively more robust, and with a tendency more towards Expressionism.
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