Théodule Augustin RIBOT
1823–1891, France/Colombia

Ribot studied at the École des Arts et Métiers de Châlons before moving to Paris in 1845. There he found work decorating gilded frames for a mirror manufacturer; he also studied in the studio of Auguste-Barthélémy Glaize. After a trip to Algeria around 1848, he returned in 1851 to Paris, where he continued to make his living as an artisan. In the late 1850s, working at night by lamplight, he began to paint seriously, depicting everyday subjects in a realistic style. He made his Salon debut in 1861 with four paintings of kitchen subjects. His paintings in the Salons of 1864 and 1865 were awarded medals.
Ribot painted domestic genre works, still-lifes, portraits, as well as religious scenes, such as his Salon success St. Sebastian, Martyr (1865). His preference was for painting directly from nature, emphasizing the contrasts of light and dark. His use of chiraoscuro to suggest psychological states grew from his admiration for Spanish and Dutch baroque masters such as Ribera and Rembrandt, an enthusiasm shared by his contemporaries Courbet and Bonvin. Members of Ribot's family are the likely models for many of his figure compositions, in which the subjects engage in humble activities, such as preparing meals or gathering in groups to read to each other. The light draws attention to faces and hands, which emerge sharply from dimly lit surroundings.
The realism of Ribot's work aligns him with the most progressive artists of the generation preceding the Impressionists. In 1878 he received the Légion d´honneur. At about this time, in ill health, he stopped painting and moved to Colombes, where he died in 1891.

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