Henri De TOULOUSE-LAUTREC

Henri De TOULOUSE-LAUTREC
1864–1901, France

Also known as: HTL, TL

Name Monfa, Henri Marie Raymond De TOULOUSE-LAUTREC
Birth 1864, 24/11, France
Died 1901, 9/9, France

Henri de Toulouse-Lautrec was a French painter, printmaker, draughtsman and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century yielded a collection of exciting, elegant and provocative images of the modern and sometimes decadent life of those times. Toulouse-Lautrec is among the best-known painters of the Post-Impressionist period, a group which includes Cézanne, Van Gogh and Gauguin.
He was born at the Hotel du Bosc in Albi, Tarn in the Midi-Pyrénées region of France, the firstborn child of Comte Alphonse Charles de Toulouse-Lautrec-Monfa (1838–1913) and wife Adèle Zoë Tapié de Celeyran (1841–1930). He was therefore a member of an aristocratic family (descendants of the Counts of Toulouse and Lautrec and the Viscounts of Montfa, a village and commune of the Tarn department of southern France). A younger brother was born on 28 August 1867, but died the following year.
After the death of his brother his parents separated and a nanny took care of Henri.[3] At the age of eight, Henri went to live with his mother in Paris where he drew sketches and caricatures in his exercise workbooks. The family quickly realised that Henri's talent lay in drawing and painting. A friend of his father, René Princeteau, visited sometimes to give informal lessons. Some of Henri's early paintings are of horses, a speciality of Princeteau, and a subject Lautrec revisited in his 'Circus Paintings'.[3][4]
In 1875 Henri returned to Albi because his mother had recognised his health problems. He took thermal baths at Amélie-les-Bains and his mother consulted doctors in the hope of finding a way to improve her son's growth and development...


Source: http://en.wikipedia.org/wiki/Henri_de_Toulouse-Lautrec

Henri De Toulouse Lautrec skildrade gatuliv, kabaréer och bordeller i Paris kring sekelskiftet 1900. Hans måleri var jugendinspirerat och hade även drag av japanska träsnitt. Han var en banbrytare inom affischkonsten och litografin som konstnärligt uttrycksmedel.