Also known as: AW
In 2004 a large-scale art forgery case was exposed during the Salvador Dali centenary exhibition at the Wanha Satama fair centre in Helsinki. The art dealer concerned had forged and sold hundred of Dali graphics as well as graphics of some other internationally known artists. Those Warhol posters, made in violation of the Copyright Act, was sold as a genuine Warhol piece of work. The work is a poster that has been made without right holder permission in breach of copyright law. In the reverse is the text: "fill in your own signature" and "Published by Sunday B. Morning".
Artco Scandinavia -yrityksen omistajan kesäkuussa 2004 järjestämässä Salvador Dalín 100-vuotisjuhlanäyttelyssä Helsingin Wanhassa Satamassa epäiltiin olevan taideväärennöksiä. Havainnon teki ensimmäisenä Ateneumin asiantuntija, joka kiinnitti huomiota painotöiksi paljastuneisiin grafiikantöihin. Poliisi takavarikoi kaikki näyttelyn teokset sekä lisää taidetta Artco Scandinavian varastotiloista. Näyttelyn toiminnassa olivat mukana myös omistajan poika esittelijänä ja myyjänä, entinen vaimo lipunmyyjänä sekä eräs mieshenkilö järjestäjänä ja esittelijänä. Asianosaisina jutussa ovat yrityksen omistajalle teoksia myyneet ja lainanneet kaksi taidekauppiasta, yrityksen omistajan kumppani ja avustajana toiminut mies, Dalín litografioita ostanut ja niitä näyttelyyn lainannut mieshenkilö, teoksia kehystänyt omistajan toinen poika sekä asiantuntija Kuvasto ry:stä. Lisäksi todistajana oli Dalí-näyttelyyn mm. teosten hintalappuja tehnyt mies. Dalín töinä esitetyt teokset toimitettiin tutkittavaksi Gala- Salvador Dalí -säätiöön Espanjaan. 145 teoksesta 95 vedosta todettiin olevan peräisin aidoiksi katsottavista painossarjoista ja 50 vedosta signeeraamatuiksi jäljennöksiksi. Lopuista 248 työstä 184 todettiin olevan peräisin epäaidoksi katsotuista painossarjoista ja 64 työssä signeeraus oli väärennetty. Näyttelyssä oli esillä myös muiden tunnettujen taiteilijoiden töiksi väitettyjä teoksia: Rembrantin (2 kpl), Braquen (8 kpl), Chagallin (16 kpl), Légerin (6 kpl) ja Mirón (11 kpl). Lisäksi Pablo Picasson teoksiksi esitetyistä kymmenestä työstä lähetettiin lausuntopyyntö Picasso Administrationille Pariisiin. Osa paljastui väärennöksiksi. Teos on juliste, joka on tehty ilman oikeudenhaltijan lupaa tekijäoikeuslain vastaisesti. Taustalla on teksti: ”fill in your own signature” ja “published by Sunday B. Morning”.
More than twenty years after his death, Andy Warhol remains one of the most influential figures in contemporary art and culture. Warhol’s life and work inspires creative thinkers worldwide thanks to his enduring imagery, his artfully cultivated celebrity, and the ongoing research of dedicated scholars. His impact as an artist is far deeper and greater than his one prescient observation that “everyone will be world famous for fifteen minutes.” His omnivorous curiosity resulted in an enormous body of work that spanned every available medium and most importantly contributed to the collapse of boundaries between high and low culture.
A skilled (analog) social networker, Warhol parlayed his fame, one connection at a time, to the status of a globally recognized brand. Decades before widespread reliance on portable media devices, he documented his daily activities and interactions on his traveling audio tape recorder and beloved Minox 35EL camera. Predating the hyper-personal outlets now provided online, Warhol captured life’s every minute detail in all its messy, ordinary glamour and broadcast it through his work, to a wide and receptive audience.
The youngest child of three, Andy was born Andrew Warhola on August 6, 1928 in the working-class neighborhood of Oakland, in Pittsburgh, Pennsylvania. Stricken at an early age with a rare neurological disorder, the young Andy Warhol found solace and escape in the form of popular celebrity magazines and DC comic books, imagery he would return to years later. Predating the multiple silver wigs and deadpan demeanor of later years, Andy experimented with inventing personae during his college years. He signed greeting cards “André”, and ultimately dropped the “a” from his last name, shortly after moving to New York and following his graduation with a degree in Pictorial Design from the Carnegie Institute of Technology (now Carnegie Mellon University) in 1949.
Work came quickly to Warhol in New York, a city he made his home and studio for the rest of his life. Within a year of arriving, Warhol garnered top assignments as a commercial artist for a variety of clients including Columbia Records, Glamour magazine, Harper’s Bazaar, NBC, Tiffany & Co., Vogue, and others. He also designed fetching window displays for Bonwit Teller and I. Miller department stores. After establishing himself as an acclaimed graphic artist, Warhol turned to painting and drawing in the 1950s, and in 1952 he had his first solo exhibition at the Hugo Gallery, with Fifteen Drawings Based on the Writings of Truman Capote. As he matured, his paintings incorporated photo-based techniques he developed as a commercial illustrator. The Museum of Modern Art (among others) took notice, and in 1956 the institution included his work in his first group show.
The turbulent 1960s ignited an impressive and wildly prolific time in Warhol’s life. It is this period, extending into the early 1970s, which saw the production of many of Warhol’s most iconic works. Building on the emerging movement of Pop Art, wherein artists used everyday consumer objects as subjects, Warhol started painting readily found, mass-produced objects, drawing on his extensive advertising background. When asked about the impulse to paint Campbell’s soup cans, Warhol replied, “I wanted to paint nothing. I was looking for something that was the essence of nothing, and that was it”. The humble soup cans would soon take their place among the Marilyn Monroes, Dollar Signs, Disasters, and Coca Cola Bottles as essential, exemplary works of contemporary art.
Operating out of a silver-painted, and foil-draped studio nicknamed The Factory, located at 231 East 47th Street, (his second studio space to hold that title), Warhol embraced work in film and video. He made his first films with a newly purchased Bolex camera in 1963 and began experimenting with video as early as 1965. Now considered avant-garde cinema classics, Warhol’s early films include Sleep (1963), Blow Job (1964), Empire (1963), and Kiss (1963-64). With sold out screenings in New York, Los Angeles, and Cannes, the split-screen, pseudo documentary Chelsea Girls (1966) brought new attention to Warhol from the film world. Art critic David Bourdon wrote, “word around town was underground cinema had finally found its Sound of Music in Chelsea Girls.” Warhol would make nearly 600 films and nearly 2500 videos. Among these are the 500, 4-minute films that comprise Warhol’s Screen Tests, which feature unflinching portraits of friends, associates and visitors to the Factory, all deemed by Warhol to be in possession of “star quality”.
Despite a brief self-declared retirement from painting following an exhibition of Flowers in Paris, Warhol continued to make sculptures (including the well known screenprinted boxes with the logos of Brillo and Heinz Ketchup) prints, and films. During this time he also expanded his interests into the realm of performance and music, producing the traveling multi-media spectacle, The Exploding Plastic Inevitable, with the Velvet Underground and Nico,
In 1968 Warhol suffered a nearly fatal gun-shot wound from aspiring playwright and radical feminist author, Valerie Solanas. The shooting, which occurred in the entrance of the Factory, forever changed Warhol. Some point to the shock of this event as a factor in his further embrace of an increasingly distant persona. The brush with death along with mounting pressure from the Internal Revenue Service (stemming from his critical stance against President Richard Nixon), seem to have prompted Warhol to document his life to an ever more obsessive degree. He would dictate every activity, including noting the most minor expenses, and employ interns and assistants to transcribe the content of what would amount to over 3,400 audio tapes. Portions of these accounts were published posthumously in 1987 as The Warhol Diaries.
The traumatic attempt on his life did not, however, slow down his output or his cunning ability to seamlessly infiltrate the worlds of fashion, music, media, and celebrity. His artistic practice soon intersected with all aspects of popular culture, in some cases long before it would become truly popular. He co-founded Interview Magazine; appeared on television in a memorable episode of The Love Boat; painted an early computer portrait of singer Debbie Harry; designed Grammy-winning record covers for The Rolling Stones; signed with a modeling agency; contributed short films to Saturday Night Live; and produced Andy Warhol’s Fifteen Minutes and Andy Warhol’s TV, his own television programs for MTV and cable access. He also developed a strong business in commissioned portraits, becoming highly sought after for his brilliantly-colored paintings of politicians, entertainers, sports figures, writers, debutantes and heads of state. His paintings, prints, photographs and drawings of this time include the important series, Skulls, Guns, Camouflage, Mao, and The Last Supper.
While in Milan, attending the opening of the exhibition of The Last Supper paintings, Warhol complained of severe pain in his right side. After delaying a hospital visit, he was eventually convinced by his doctors to check into New York Hospital for gall bladder surgery. On February 22, 1987, while in recovery from this routine operation, Andy Warhol died. Following burial in Pittsburgh, thousands of mourners paid their respects at a memorial service held at Manhattan’s St. Patrick’s Cathedral. The service was attended by numerous associates and admirers including artists Roy Lichtenstein, Keith Haring, and entertainer Liza Minnelli. Readings were contributed by Yoko Ono and Factory collaborator and close friend, Brigid Berlin.
Plans to house The Andy Warhol Museum in Pittsburgh were announced in 1989, two years after the establishment of the Andy Warhol Foundation for the Visual Arts. Through the ongoing efforts of both of these institutions, Andy Warhol remains not only a fascinating cultural icon, but an inspiration to new generations of artists, curators, filmmakers, designers, and cultural innovators the world over.
Andrew Warhola föddes i Pittsburgh 1928. Hans föräldrar kom från det nuvarande Slovakien. I mitten av 40-talet läste han formgivning vid högskolan Carnegie Institute of Technology i Pittsburgh och efter examen flyttade han till New York. Hela 50-talet var Warhol en lyckad reklamtecknare som fick flera priser för sin grafik. Redan då började han odla myten och bilden runt sig. Det var också då som han förkortade sitt namn till Andy Warhol. De första bilderna från 60- talet var serieinspirerade och hade drag av reklam. Bland annat kom några av hans mer kända verk till nu: soppburkarn från Campbells på målningar. Hans färgglada siksceentryck av dåtidens kändisar kom ocskå till nu.
Att göra konst till massorna blev också möjligt när Warhol 1963 skaffade en grupp medarbetare som kallades Factory. Factory.
Warhol sysslade också med experimentella filmen i mitten på 60-talet och gjorde över 70 filmer. Han samarbetade också med bland andra gruppen Velvet Underground.
Senare kom Warhol att ägna sig alltmer åt porträtt på beställning. Han drev en tidning och marknadsförde sig själv.
1968 utsattes Warhol för ett mordförsök utfört av den militanta feministen Valerie Solanas. Han skadades svårt men överlevde.