Sofia ÄNGHEDE
1972, Sweden

Sofia Änghede working with light experiments with clear references to the photographic history. Nearest thoughts turn to the early decades of the twentieth century in which photography technical possibilities thoroughly explored. There were experiments with light, breaks, collages and chemicals in ways that even today seems revolutionary. Then there was also a solid belief in the photograph other (seemingly) limitless possibilities, including as mediators of severe described emotional states and moods.