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Georges BRAQUE

Georges BRAQUE

1882–1963, France

Also known as: GB

Name: Georges BRAQUE
Birth: 1882, 13/5, France
Died: 1963, France

Georges Braque was born in Argenteuil, Val-d'Oise. He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. However, he also studied serious painting in the evenings at the École des Beaux-Arts, in Le Havre, from about 1897 to 1899. In Paris, he apprenticed with a decorator and was awarded his certificate in 1902. The following year, he attended the Académie Humbert, also in Paris, and painted there until 1904. It was here that he met Marie Laurencin and Francis Picabia.

His earliest works were impressionistic, but after seeing the work exhibited by the Fauves in 1905, Braque adopted a Fauvist style. The Fauves, a group that included Henri Matisse and André Derain among others, used brilliant colors and loose structures of forms to capture the most intense emotional response. Braque worked most closely with the artists Raoul Dufy and Othon Friesz, who shared Braque's hometown of Le Havre, to develop a somewhat more subdued Fauvist style. In 1906, Braque traveled with Friesz to L'Estaque, to Antwerp, and home to Le Havre to paint.

In May 1907, he successfully exhibited works in the Fauve style in the Salon des Indépendants. The same year, Braque's style began a slow evolution as he came under the strong influence of Paul Cézanne, who died in 1906, and whose works were exhibited in Paris for the first time in a large-scale, museum-like retrospective in September 1907. The 1907 Cézanne retrospective at the Salon d'Automne greatly impacted the direction that the avant-garde in Paris took, leading to the advent of Cubism.

Braque's paintings of 1908–1913 began to reflect his new interest in geometry and simultaneous perspective. He conducted an intense study of the effects of light and perspective and the technical means that painters use to represent these effects, appearing to question the most standard of artistic conventions. In his village scenes, for example, Braque frequently reduced an architectural structure to a geometric form approximating a cube, yet rendered its shading so that it looked both flat and three-dimensional by fragmenting the image. He showed this in the oil painting "House at L'estaque". In this way, Braque called attention to the very nature of visual illusion and artistic representation.

Beginning in 1909, Braque began to work closely with Picasso, who had been developing a similar approach to oil painting. At the time Pablo Picasso was influenced by Gauguin, Cézanne, African tribal masks and Iberian sculpture, while Braque was mostly interested in developing Cézanne's idea's of multiple perspectives. “A comparison of the works of Picasso and Braque during 1908 reveals that the effect of his encounter with Picasso was more to accelerate and intensify Braque’s exploration of Cézanne’s ideas, rather than to divert his thinking in any essential way.” The invention of Cubism was a joint effort between Picasso and Braque, then residents of Montmartre, Paris. These artists were the movement's main innovators. After meeting in October or November 1907, Braque and Picasso, in particular, began working on the development of Cubism in 1908. Both artists produced paintings of monochromatic color and complex patterns of faceted form, now called Analytic Cubism.

A decisive moment in its development occurred during the summer of 1911, when Georges Braque and Pablo Picasso painted side by side in Céret, in the French Pyrenees, each artist producing paintings that are difficult—sometimes virtually impossible—to distinguish from those of the other. In 1912, they began to experiment with collage and papier collé.

Their productive collaboration continued and they worked closely together until the outbreak of World War I in 1914 when Braque enlisted in the French Army, leaving Paris to fight in the First World War.

French art critic Louis Vauxcelles first used the term Cubism, or "bizarre cubiques", in 1908 after seeing a picture by Braque. He described it as 'full of little cubes', after which the term quickly gained wide use although the two creators did not initially adopt it. Art historian Ernst Gombrich described cubism as "the most radical attempt to stamp out ambiguity and to enforce one reading of the picture - that of a man-made construction, a colored canvas." The Cubist movement spread quickly throughout Paris and Europe.

Braque was severely wounded in the war, and when he resumed his artistic career in 1917 he moved away from the harsher abstraction of cubism. Working alone, he developed a more personal style, characterized by brilliant color and textured surfaces and—following his move to the Normandy seacoast—the reappearance of the human figure. He painted many still life subjects during this time, maintaining his emphasis on structure. During his recovery he became a close friend of the cubist artist Juan Gris.

He continued to work throughout the remainder of his life, producing a considerable number of distinguished oil paintings, graphics, and sculptures, all imbued with a pervasive contemplative quality. Braque, along with Matisse, is credited for introducing Pablo Picasso to Fernand Mourlot, and most of the lithographs and book illustrations he himself created in the 1940s and '50s were produced at the Mourlot Studios. He died on 31 August 1963, in Paris. He is buried in the church cemetery in Saint-Marguerite-sur-Mer, Normandy, France. Braque's work is in most major museums throughout the world.

Source: http://www.georgesbraque.org/

Le Lierre by Georges BRAQUE

Le Lierre (Executed in 1955)

Price EUR 850
Estimated EUR 700–1,400
Hélios V by Georges BRAQUE

Hélios V (1948)

Price SEK 45,000 (€4,973)
Estimated SEK 35,000–40,000
Théière Et Raisins by Georges BRAQUE

Théière Et Raisins (1956)

Price SEK 16,000 (€1,864)
Estimated SEK 20,000–25,000
Pichet Noir Et Citrons by Georges BRAQUE

Pichet Noir Et Citrons

Price SEK 10,000 (€1,165)
Estimated SEK 15,000–18,000
Nature Morte à La Pipe by Georges BRAQUE

Nature Morte à La Pipe (1919)

Price USD 650,500 (€508,268)
Estimated USD 700,000–1,000,000
La Caisse Verte by Georges BRAQUE

La Caisse Verte (1952)

Price USD 2,882,500 (€2,252,241)
Estimated USD 3,000,000–5,000,000
Pichet Noir Et Citrons by Georges BRAQUE

Pichet Noir Et Citrons (Executed ca.1955)

Price SEK 22,950 (€2,671)
Incl. buyer's premium
Estimated SEK 15,000–18,000
Le Poète, Ur:

Le Poète, Ur: "cinq Poésies En Hommage à Georges Braque" (1958)

Price SEK 0 (€0)
Not sold, incl. buyer's premium
Estimated SEK 20,000–30,000
La Nappe Jaune by Georges BRAQUE

La Nappe Jaune (1960)

Price SEK 25,500 (€2,968)
Incl. buyer's premium
Estimated SEK 18,000–20,000
L'oiseau Et Son Nid by Georges BRAQUE

L'oiseau Et Son Nid (1956)

Price SEK 7,000 (€769)
Estimated SEK 8,000–10,000
Les Oiseaux Noirs

Les Oiseaux Noirs" (the Black Birds) (1958)

Price SEK 11,500 (€1,227)
Estimated SEK 12,000–15,000
Le Poète

Le Poète", From: "cinq Poésies En Hommage à Georges Braque (1958)

Price SEK 24,000 (€2,561)
Estimated SEK 12,000–15,000
Nature Morte Oblique by Georges BRAQUE

Nature Morte Oblique (Executed ca. 1950)

Price SEK 6,200 (€679)
Estimated SEK 6,500
Le Nid Vert by Georges BRAQUE

Le Nid Vert

Price SEK 26,000 (€2,836)
Estimated SEK 25,000–30,000
Les Marguerites by Georges BRAQUE

Les Marguerites (Executed ca. 1950)

Price SEK 13,000 (€1,418)
Estimated SEK 8,000–10,000
Août by Georges BRAQUE

Août (Executed 1958)

Price SEK 16,000 (€1,745)
Estimated SEK 10,000–12,000
Pichet Et Oiseau by Georges BRAQUE

Pichet Et Oiseau

Price SEK 8,000 (€880)
Estimated SEK 10,000–12,000
Astéria by Georges BRAQUE

Astéria (ca 1970)

Price SEK 8,000 (€836)
Estimated SEK 10,000–12,000
Deux Oiesaux (richesse De La France) by Georges BRAQUE

Deux Oiesaux (richesse De La France) (1961)

Price SEK 110,000 (€11,498)
Estimated SEK 90,000–110,000
Le Canard by Georges BRAQUE

Le Canard (1961)

Price SEK 26,000 (€2,718)
Estimated SEK 20,000–25,000
Août by Georges BRAQUE

Août (1958)

Price SEK 8,000 (€836)
Estimated SEK 7,000–9,000
Profil à La Palette by Georges BRAQUE

Profil à La Palette (1953)

Price SEK 28,000 (€2,927)
Estimated SEK 30,000–40,000
Thalassa I by Georges BRAQUE

Thalassa I

Price SEK 16,000 (€1,658)
Estimated SEK 12,000–15,000
Théière Et Citrons by Georges BRAQUE

Théière Et Citrons

Price SEK 70,000 (€6,692)
Estimated SEK 70,000–80,000
Théogonie Ii by Georges BRAQUE

Théogonie Ii

Price SEK 4,300 (€411)
Estimated SEK 5,000–7,000
Giroflée Bleue by Georges BRAQUE

Giroflée Bleue

Price SEK 16,000 (€1,530)
Estimated SEK 12,000–15,000

Si Je Mourais Là-bas

Price SEK 12,000 (€1,147)
Estimated SEK 12,000–15,000
Nature Morte by Georges BRAQUE

Nature Morte

Price SEK 11,500 (€1,100)
Estimated SEK 10,000–15,000
Pichet Noir Et Citrons by Georges BRAQUE

Pichet Noir Et Citrons (c. 1960)

Price SEK 15,000 (€1,435)
Estimated SEK 2,000–25,000
Feuilles, Couleur Lumière by Georges BRAQUE

Feuilles, Couleur Lumière

Price EUR 13,500
Estimated EUR 8,000–12,000
L Echo, (lit:vallier, Maeght 1041) by Georges BRAQUE

L Echo, (lit:vallier, Maeght 1041) (1960)

Price SEK 28,000 (€2,601)
Estimated SEK 20,000–25,000
Aquarium, (lit:allier, Maeght 1007) by Georges BRAQUE

Aquarium, (lit:allier, Maeght 1007) (1955)

Price SEK 11,000 (€1,022)
Estimated SEK 8,000–10,000
Corbeille De Fleurs, (lit: Vallier 71) by Georges BRAQUE

Corbeille De Fleurs, (lit: Vallier 71) (1951)

Price SEK 9,000 (€836)
Estimated SEK 8,000–10,000
Le Canard by Georges BRAQUE

Le Canard (1956)

Price EUR 335,122
Estimated EUR 120,000–160,000
Pichet Noir Et Citrons by Georges BRAQUE

Pichet Noir Et Citrons

Price SEK 11,000 (€1,183)
Estimated SEK 12,000–15,000